I am always going to be prejudiced for Tramway: I learnt about performance there during the early years of this century, when the programme was dominated by Belgian choreography and New Territories took up residence in the spring, and these days, I teach the Young Critics class there. It has an international reputation - doing research on the venue's past, I found that it had more respect in Europe than in Scotland, although there are dedicated souls who still whisper excitedly of performances seen in its heyday: Les Ballets C de la B, Victoria, Peter Brook...
It's going to get worse and worse and worse, my friend - departing audience members notwithstanding - had all the signifiers of great Tramway programming. Soloist and choreographer Lisbeth Gruwez comes from Belgium, and danced with Ultima Vez, Jan Fabre, C de la B and Needcompany, who have all stormed the Southside in the last decade. Stringent, intelligent, frustrated and articulate, it strips theatre back to the disciplined body moving to and against a soundtrack: the lighting a single rectangle of white, the music a symphony of cut-up and remixed voices and compositions - triumphantly emerging into Arvo Part's Tabula Rasa.
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