Wednesday 8 September 2021

Push The Boat Out, Scotland’s second poetry festival

 Push The Boat Out, Scotland’s second poetry festival, launches inaugural programme on 8 September in Edinburgh



Push The Boat Out (PTBO) Scotland’s newest and most boundary-bending poetry festival, launches its inaugural programme today, Wednesday 8 September in Edinburgh.

Taking place from the 15 – 17 October 2021 within the creative hub of Summerhall, Push The Boat Out will be the second poetry festival ever to be held in Scotland and its aims to do what it says on the tin, by challenging perceptions of what poetry is and how it can be enjoyed.  


Named after the poem “At Eighty” by the first Glasgow poet laureate Edwin Morgan, PTBO is inspired by the vibrancy and range of contemporary poetry, hip hop and spoken word coming out of Scotland, the UK and indeed the world. The aim of the festival is to not only give poetry a new platform, but to create an environment where all variations of this vital artform are encouraged to grow, evolve and even collide

Taking place within the creative spaces of Summerhall in Edinburgh, the PTBO programme will seep into every nook and cranny of this established arts venue through multiple means, including film, imagery, song, music, dance, singing, debate and other forms of poetry performance.

Underpinning the festival are four key themes; social justice and representationhealing and recoveryclimate crisis and ecopoetics; and virtual and other realities. Audiences can expect first-class performances from around 60 poets, emerging and established, including the newly appointed Scots Makar Kathleen Jamie.

Other key programme highlights include performances by Scottish hip hop legend Solareye /  Dave Hook of Stanley Odd, celebrated Caribbean poet Lorna Goodison, and the author the first-ever poetry collection to win The Guardian First Book Award, Andrew McMillan. Joining them on the many and varied Summerhall ‘stages’ are Roseanne Watt, Hannah Lavery, Nova Scotia the Truth, Harry Josephine Giles, Ray Antrobus, Clare Pollard, Caroline Bird, Salena Godden and many more.

Another key element to the PTBO programme is the Poetry Mile initiative which, through a dedicated web app, allows users to experience Edinburgh differently, filtered through the eyes and ears of some of the country’s finest poets. Featuring over 50 specifically commissioned poems from over 25 poets, all locations featured are within a square mile of Summerhall. The app generates bespoke walking tours depending on the type of experience the user requests to have.

The brainchild of director Jenny Niven, former head of literature at Creative Scotland, and co-founder Kevin Williamson, writer, publisher and founder of the Edinburgh arts events collective Neu! Reekie!, PTBO is convinced of the need for poetry more now than ever before, particularly as we emerge from lengthy lockdowns and seek new ways to express ourselves.



Jenny Niven, co-founder of Push The Boat Out, said: “We are so excited to be launching our inaugural Push The Boat Out programme after what has been a difficult year for everyone, not least those working within the arts.

That said, poetry is all about using language in new ways, to express new experiences, so if ever there was a time to explore this vital and vibrant art form, it is now.

We feel incredibly lucky to be hosting our inaugural festival in a city so full of talent, at a time when there is so much to say, and off the back of a summer festival season that saw performance take over more city spaces than ever before.

With performers and artists spanning the full spectrum of this spectacular artform, from classical verse to hip hop, we can’t wait for audiences to come along and enjoy.”

Tuesday 7 September 2021

THE CAT AND THE CANARY @ THEATRE ROYAL, GLASGOW MONDAY 13 - SATURDAY 18 SEPTEMBER 2021

 BILL KENWRIGHT PRESENTS
THE CLASSIC THRILLER THEATRE COMPANY
 

THE CAT AND THE CANARY

THE CREEPY COMEDY THRILLER BY JOHN WILLARD
ADAPTED BY CARL GROSE
 
STARRING ANTONY COSTA, TRACY SHAW, MARTI WEBB
GARY WEBSTER, BEN NEALON, ERIC CARTE
AND  BRITT EKLAND
 
THEATRE ROYAL, GLASGOW
MONDAY 13 - SATURDAY 18 SEPTEMBER 2021


 

Bill Kenwright, The Classic Thriller Theatre Company and Theatre Royal, Glasgow are pleased to welcome the creepy comedy thriller The Cat and the Canary next week as part of a UK tour.

 

The stage adaptation of John Willard’s screenplay of the same name, The Cat and the Canary is the third show to be staged at Theatre Royal since it reopened on Sunday 5 September.

 

Starring silver screen and Bond-girl legend Britt Ekland, the chilling play is set 20 years after the death of Mr West as his descendants gather to learn who will inherit his vast wealth and the hidden family jewels. Within moments, the heritage hunters turn into prey. Walls crack open, shadows loom, and dark secrets are revealed.

 



Britt is perhaps best known for The Man with The Golden Gun with Roger Moore, The Wicker Man with Christopher Lee, and Get Carter with Michael Caine. She stars alongside singer-songw
riter, actor and former member of the internationally successful 00’s boy band Blue, Antony Costa, and Tracy Shaw, best known for her long-running role as Maxine Peacock in Coronation Street. They are joined by West End leading lady Marti Webb, whose credits include Evita and Tell Me on A SundayGary Webster, who played Gary Costello in Family Affairs and Ray Daley opposite George Cole in ITV’s Minder; Classic Thriller Theatre Company veteran Ben Nealon, who played Lt. Forsythe in the drama series Soldier Soldier, and Eric Carte, who played Geoff Roberts in two series of Bouquet of Barbed Wire. The cast is completed by Priyasasha KumariMartin Carroll, Jack Taylor and Clara Darcy.

 

The Cat and The Canary is director Roy Marsden’s fifth Classic Thriller Theatre Company production. Other credits include the West End premieres of Agatha Christie’s A Daughter’s a Daughter at the Trafalgar Studios and Noël Coward’s Volcano at the Vaudeville Theatre. As an actor, he is well-known to television audiences as Inspector Dalgliesh in the long-running P.D. James series.

 



Adaptor Carl Grose was, until recently, co-artistic director of Kneehigh Theatre. His numerous plays and adaptations include book and lyrics for The Grinning Man, which Tom Morris directed at the Trafalgar Studios in 2017.

 

Designer takis’s diverse international credits include In the Heights, Gifford’s Circus and the Royal Opera.

 

Lighting Designer Chris Davey’s work includes Witness for the Prosecution at London’s County Hall and Touching the Void at the Duke of York’s Theatre.

 

Dan Samson is resident Sound Designer for The Classic Thriller Theatre Company. West End credits include Heathers at the Theatre Royal Haymarket and Evita at the Dominion Theatre.