Brendon
Burns and Craig Quartermaine
in:
RACE
OFF
18:45
(19:45)
2-28
August (not
17)
From the directors of So I Suppose This is Offensive Now. No-filter white Aussie Burns and charming ball of rage Quartermaine are the first double act of their kind in history... that's right: in history... ever. Relax.
What
was the inspiration for this performance?
Over
the last year I have been going through an emotionally draining and
steep learning curve of combining my emerging comedy career with my
established Journalism career. Australia is a country in complete
denial of its historical treatment of Aboriginal Australians and
pretty much every race that followed the British first fleets. Now
I’ve found a platform that won’t be edited by the exact
establishment I’m criticising. Stand up is the ultimate freedom, as
long as it’s funny.
Is
performance still a good space for the public discussion of ideas?
For
me it’s the only space that’s still a legitimate option to
discuss ideas or at the very least provoke discussions of ideas.
There is far too much bureaucracy holding back important discussions
and voices. Performance can inform and create debate - at least it
can still try.
How
did you become interested in making performance?
I
became frustrated with the editorial process of my Journalism. I
found that too much control was being given to people who had not
witnessed what I was reporting on and were simply crafting my work to
make it more palatable or poetic regardless of the actual content.
Is
there any particular approach to the making of the show?
Unfiltered
banter of an unwilling double act. My co-star and I shouldn’t have
ever crossed paths and we have had a very difficult journey on
covering Race relations in Australia. But all that has contributed to
the finished product and the key to that approach has been brutally
honest with trial and error.
Does
the show fit with your usual productions?
I am
very much a low-fi comedian; for me stand up involves a stage and a
mic a light if you’re feeling indulgent. This production has
lighting cues, music and way more production than I would have ever
conceived so I’m a long way from my comfort zone.
What
do you hope that the audience will experience?
Tension
releasing laughs! I’ve found while I am from a very different place
than people in UK audiences, my comedy and the show has relatable
situations but a unique and generally unheard perspective. I hope
people find something they can relate to but if not then they at
entertained enough to keep listening anyway.
What
strategies did you consider towards shaping this audience experience?
Well
without giving too much away, a lot of study of crowd reactions and
general human behaviour has gone into the narrative of this show so
anything that provokes has been considered for this show.
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