Hopefully, around about now, there has been a disturbance in Edinburgh. BP or not BP mounted an art-activism event at The Scottish National Portrait Gallery to challenge the sponsorship of the BP Portrait Award. I hope it was peaceful, and fun, and drew attentions to the problems caused by the support of the arts by big oil firms.
Since I am always banging on about the inherent contradiction between 'political theatre' and the bourgeois under-pinning of performance theory, and I have a great fondness for the writing of Carl Lavery, who connects absurdist theatre with a far more immediate environmental consciousness (Beckett is transformed from being existential angst to a more deliberate commentary on the devastation caused by nuclear power), art-activism ought to be right on my watch.
While I am sitting in bed thinking about buying a new computer - doubtless made in a sweat-shop somewhere - some people are capable of acting on their beliefs.
According to the BP or not BP website, the oil company do two things: act in complicity with various human rights violations and environmental damage, and give tiny amounts of cash (relatively speaking) to the arts, so they look good.
Theatre and Culture from Scotland, starring The List's Theatre Editor, his performance persona and occasional guest stars. Experimental writings, cod-academic critiques and all his opinions, stolen or original.
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