Theatre and Culture from Scotland, starring The List's Theatre Editor, his performance persona and occasional guest stars. Experimental writings, cod-academic critiques and all his opinions, stolen or original.
Saturday, 17 January 2015
T R I S T I S S I M O
Of what has been, in the writings traces remain of desperate lovers, tortured feelings of immense sadness and tears. We have not changed that much. Everything still revolves around love and in its eternal contrast.
Let the work root into the why and how of something powerful, strong, huge!
We analyze the nature of the restraint and the pursuit of absolute freedom, the current one, our daily one. We are inspired by the true facts of the crime, true.
In one way or another we try to have our say and not to leave a reaction-relationship unfinished, we are also part of this time, in the end.
What is left of the myth?
A first study on the work of Wagner, a source of inspiration to investigate on.
A careful listening to the song and its majesty. The discovery of the modernity of the Opera, a similar picture, but far from the Middle Ages.
The Wagnerian Opera instigates not only to make tragedies; it is a fact, a divine melody.
Take a head, an incipit, an unforgettable sample, forever... and then weigh it ... What was it? What's this? What will remain?
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T R I S T I S S I M O
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