The Glasgow School: what is it all about?
The research is an attempt to discover
whether Glasgow performance can be said to share any particular
concerns of style. Through email interviews with various creators and
interested parties, the research will assess whether there is a
continuity of approach or concern.
By answering these questions, you will
become part of my wider survey, and your words will help me to
develop an overview. Your opinions will be attributed to you, with
some detail about your own practice – your work is an example of
work made in Glasgow, and helps to clarify the scope and object of my
analysis.
You will not be asked to make any
critical comments on other artists, except in terms of positive
influence or association.
This will be explored in any essay
format, and statistical charts, using your words as part of the
research – the conclusions will be mine, but your contribution will
be fully acknowledged.
The final dissertation will be
submitted to the University and available for future researchers.
Your contribution, if you so desire, can be released as part of my
blog as a mini-article. You are welcome to make use of my work in any
way that is useful...
Are there any aspects of your own work
or practice that you feel are defined by Glasgow? If so, what are
they and how would you describe Glasgow's influence?
Can you name any other Glasgow-based
artists with whom you feel an affinity? What shared characteristics
do you have with them?
If you had to describe Glaswegian
performance in three sentences, what would these be?
Are there any events or festivals
throughout the year that you would say are influential in developing
particular sorts of work? This could apply to both theatre and
non-theatrical events.
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