A perfect day , a perfect world, then at some point all becomes twisted.
It seems a tragedy , it seems the inspiration for a prologue, it seems a true story, it seems the end of a world, in the world.
Everything for the hand of man ... for proclamation of freedom, achievement, interest, and beauty. Do you love me or kill me?
We report here on a dreamlike past, yet contemporary, disturbed and inappropriate.
It seems the excitement of the strong things, it seems unique, it seems the only goal, it seems flesh, blood...Then BANG!
Just a shot and it all ends... Of what has been, in the writings traces remain of desperate lovers, tortured feelings of immense sadness and tears. We have not changed that much. Everything still revolves around love and in its eternal contrast.
Let the work root into the why and how of something powerful, strong, huge!
We analyze the nature of the restraint and the pursuit of absolute freedom, the current one, our daily one. We are inspired by the true facts of the crime, true.
In one way or another we try to have our say and not to leave a reaction-relationship unfinished , we are also part of this time, in the end.
What is left of the myth?
A first study on the work of Wagner, a source of inspiration to investigate on.
A careful listening to the song and its majesty. The discovery of the modernity of the Opera, a similar picture, but far from the Middle Ages.
The Wagnerian Opera instigates not only to make tragedies; it is a fact, a divine melody.
Take a head, an incipit, an unforgettable sample, forever... and then weigh it ... What was it? What's this? What will remain?
It seems a tragedy , it seems the inspiration for a prologue, it seems a true story, it seems the end of a world, in the world.
Everything for the hand of man ... for proclamation of freedom, achievement, interest, and beauty. Do you love me or kill me?
We report here on a dreamlike past, yet contemporary, disturbed and inappropriate.
It seems the excitement of the strong things, it seems unique, it seems the only goal, it seems flesh, blood...Then BANG!
Just a shot and it all ends... Of what has been, in the writings traces remain of desperate lovers, tortured feelings of immense sadness and tears. We have not changed that much. Everything still revolves around love and in its eternal contrast.
Let the work root into the why and how of something powerful, strong, huge!
We analyze the nature of the restraint and the pursuit of absolute freedom, the current one, our daily one. We are inspired by the true facts of the crime, true.
In one way or another we try to have our say and not to leave a reaction-relationship unfinished , we are also part of this time, in the end.
What is left of the myth?
A first study on the work of Wagner, a source of inspiration to investigate on.
A careful listening to the song and its majesty. The discovery of the modernity of the Opera, a similar picture, but far from the Middle Ages.
The Wagnerian Opera instigates not only to make tragedies; it is a fact, a divine melody.
Take a head, an incipit, an unforgettable sample, forever... and then weigh it ... What was it? What's this? What will remain?
My experience of your work so far has been that it is spiritual, longing for meaning, sexy and rough: am I just being weird or is this a fair assessment?
Maybe we are weird...!
No, really, you actually got it quite right. We aim at finding rather a crude and straightforward language so that people can be shaken by it while recognising and acknowledging themselves as part of a humanity that belongs to them and that they belong to.
This time, you talk of Wagner - are you an enthusiast?
Maybe we are more depressed than enthusiastic.
What drew you to him in particular?
It is maybe the need to deal with such a feeling of sadness and melancholy that pushed us to looking at Wagner. Wagner is very emotional and tragically ended. As usual, we want to ironically approach the universal dichotomy good and evil.
From what you know of manipulate, is it a good fit for your work?
Considering the quality of the programme we are honoured to be part of this festival.
How do you approach making a new work - do you have a particular dramaturgy?
Our dramaturgy stems from the body. It is based on physical relations and actions aimed at codifying feelings and stories of life and within our society. Our new works are engendered by intuitions, by the desire to speak about something in particular like visions of today’s world, hope, or future pessimisms.
What does remain at the end of a performance?
Memory.
How do you understand the function of art?
“Je suis liberté d'expression”. I am freedom of expression.
Maybe we are weird...!
No, really, you actually got it quite right. We aim at finding rather a crude and straightforward language so that people can be shaken by it while recognising and acknowledging themselves as part of a humanity that belongs to them and that they belong to.
This time, you talk of Wagner - are you an enthusiast?
Maybe we are more depressed than enthusiastic.
What drew you to him in particular?
It is maybe the need to deal with such a feeling of sadness and melancholy that pushed us to looking at Wagner. Wagner is very emotional and tragically ended. As usual, we want to ironically approach the universal dichotomy good and evil.
From what you know of manipulate, is it a good fit for your work?
Considering the quality of the programme we are honoured to be part of this festival.
How do you approach making a new work - do you have a particular dramaturgy?
Our dramaturgy stems from the body. It is based on physical relations and actions aimed at codifying feelings and stories of life and within our society. Our new works are engendered by intuitions, by the desire to speak about something in particular like visions of today’s world, hope, or future pessimisms.
What does remain at the end of a performance?
Memory.
How do you understand the function of art?
“Je suis liberté d'expression”. I am freedom of expression.
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