Showing posts with label yve blake. Show all posts
Showing posts with label yve blake. Show all posts

Sunday, 16 August 2015

Dramaturgical Lies: Yve Blake @ Edfringe 2015

Show And Tell with PBJ Management present

YVE BLAKE: LIE COLLECTOR

Wed 5th - Mon 31st August, 5.20pm (no show Mon 17th)
Pleasance Dome, 1 Bristo Square, EH8 9AL (Venue 23) 
Tickets: £6.50 - £10.50
Box office: pleasance.co.uk / 0131 556 6550

Lie Collector is a glorious musical celebration of our darkest secrets, collected anonymously online from more than 2000 strangers in 154 different cities around the world. When Yve Blake asked the internet ‘what’s the worst lie you’ve ever told?’ the answers became bold, spectacular musical comedy. 

From the ridiculous to the deeply disturbed,  Yve takes her audience on a rollercoaster journey of faked pregnancies, flying sharks, a gown made of pizza and claims to leprechaun ancestry. Be prepared to be dazzled and disturbed by a show inspired by over 2000 confessions. 


What inspired this production: did you begin with an idea or a script or an object?
Yve Blake: The show’s called Lie Collector, and it’s a collection of true stories strangers have sent me about lies they’ve told. I started collecting these because I'm obsessed with finding ways to get people to tell me the most self exposing/honest stories possible, so I could put them onstage. It also begins with the dream of wearing quick change costumes, which has since come true. (there’s a gown made of pizza too, I’ve said too much!)

Why bring your work to Edinburgh?
Jacket potat-  No, because Edinburgh’s a trade show. And it's a chance to share work with new audiences & other artists.

What can the audience expect to see and feel - or even think - of your production?
To see: a pizza gown. and many other costumes.
To feel: bahahahaha
To think : I don’t know if it’s appropriate to laugh anymore, this just got really dark.

The Dramaturgy Questions

How would you explain the relevance - or otherwise - of dramaturgy within your work?
My work is about remixing and and curating stories people have sent me - so dramaturgy is the most important part of the process. If my shows are three course meals, then the dramaturgy is the menu. The dramaturgy defines the order of the stories in the show, and determines that the salad will taste better if you eat it before the ice-cream, not after. Or that it’s a bad idea to if I try to serve the salad and the ice-cream on the same plate. The dramaturgy makes the meal delicious instead of awkward.

What particular traditions and influences would you acknowledge on your work -  have any particular artists, or genres inspired you and do you see yourself within their tradition?
I’m inspired my theatre makers and comedians that are great storytellers or great at being silly. Sam Simmons, Felicity Ward and David O'Doherty are great examples. I’m also inspired by internet Icons like Nyan cat, grumpy cat, and Doge. 


Do you have a particular process of making that you could describe - where it begins, how you develop it, and whether there is any collaboration in the process?
It begins with collecting stories from strangers, then in the middle there’s lots of Pinteresting and whispering rhymes into my phone at bus stops. and then it ends with me changing it infinitely. Plus in the middle there’s the part where I rope in lots of talented people to interpret the stories with me and make costumes/animations/music production.

What do you feel the role of the audience is, in terms of making the meaning of your work?
Lie Collector is created entirely from audience contributions, so my audience are my co-writers.


Yve Blake makes her Edinburgh Festival Fringe debut with Lie Collector; her VAULT Festival headlining comedy show co-written with the internet. 


About Yve Blake

Yve Blake is a Sydney-born London-based musical comedian and theatre maker. She makes all her work in collaboration with her audience via her interactive website WhoWereWe.com. Anyone around the world can submit a confession, and perhaps be included in one of  Yve’s shows - so far, more than 2000 people in 154 different cities around the world already have.

In 2014 Yve's sold-out show THEN premiered at VAULT 2014 and returned to London five times by demand, playing at Battersea Arts Centre and Soho Theatre. This year, she was invited back to VAULT to headline their 2015 festival with Lie Collector. In February this year, Yve released an EP of 4 new songs & 3 music videos inspired by stories she has been sent to her interactive website WhoWereWe.com. An award-winning and published playwright, Yve’s Sugar Sugar, a play she developed at the Royal Court Young Playwright's program, premiered in June at MKA Theatre of New Writing in Melbourne in May 2014. 


Yve is currently developing songs with Larmer Tree Festival to mark their 25th anniversary, and with Pleasance Theatre to showcase the comedy talent performing at the Edinburgh Festival Fringe 2015. Yve will be performing THEN at The Australian Theatre for Young People in Sydney in September this year.

Monday, 18 June 2012

ERRMERRGERRD presents YVE BLAKE in AM I GOOD FRIEND?

There are some shows that seemed destined for Fringe success - as a critic, it is my job to pretend that I have some special skill, divine these, then claim credit for having noticed them first. So, I am delighted to introduce Yve Blake, and eighteen year old from Australia, making her Edinburgh Fringe debut with Am I Good Friend?



Unfortunately, 
FringeReview.co.uk has already called Blake the next big thing: I am already playing catch up.  Since she is an award winning playwright (she won Playwriting Australia’s “Kicking Down The Door” Competition in her final year of high school) and is making a series of online performances, I decided I had better get in touch with her before she is rejecting writers unless they are writing for The Herald. 





What will make your show stand out at the Fringe in 2012?

In a word, PIE CHARTS. That's two. Forget the Pie Charts!
Here's something! I imagine that I'm among the youngest international producers at the Fringe, being only 18. Also, having written/designed/constructed every element of the show myself, AND considering that the show uses real "lifedata" from my real actual life (Such as secretly recorded phone interviews with my parents and friends) Am I Good Friend? is a uniquely personal show. Finally, it includes an impressive array of Arts and Crafts! and did I mention PIE CHARTS!

How would you describe the piece - what sort of theatre is it, and what inspired the content?

Am I Good Friend? takes the form of a live scientific experiment in which I am determined to measure the extent to which I embody the definition of a "Good Friend". I will do absolutely anything in the quest for MAX ACCURACY. It's evidence-based theatre meets performance art meets comedy meets Pie-Chart-Filled-Adventure.

The show is inspired by the fact that we all secretly aspire to be a super hilarious, ultra generous and superbly charismatic version of ourselves. In the show I call myself out on  everything I wish that I was, and everything wish that I wasn't. It's a completely candid and ultimately and heartwarming study of our desire to be like by everyone. 

How long have you been working in theatre, and are there any highlights of your career so far?

I've been working professionally in theatre for 5 years, (or since I was 13, as I'm 18 now) as both a Performer and a Playwright.  
As a Playwright, I was awarded “Best Play” at Sydney’s Fast + Fresh Festival when I was 15, and winning Playwriting Australia’s "Kicking Down The Door" in my  final year of high school. This year I've also had my work commissioned by the Australian Theatre for Young People and published by Currency Press.
I've presented other self-written performance art at the Museum of Contemporary Art Australia and Griffin Theatre Company, and will soon be releasing a series of online performances that respond to hoarded objects and relics I've recently found in my bedroom.  
I'm currently a member of Advisory Panels at both the Sydney Theatre Company and the Sydney Opera House, where I'm mentored by producer Danielle Harvey (Former Exec. Director Sydney Mardi Gras).


Why did you decide to come to the Fringe?

Initially I'll admit, the idea of taking a show the Fringe terrified me! (nightmares of wading through flyers up to my neck on the royal mile kind of thing). Then, while premiering Am I Good Friend? at the Adelaide Fringe, I was approached by Louise Oliver, the participant development coordinator of the Edinburgh Fringe Society. She loved the show and insisted I take it to Edinburgh. A few drinks later I agreed. While there had been a really positive response to the show in Adelaide, (four stars, sell-out houses), her vote was the one that counted. I haven't had a nightmare since and now I can't wait to tour my first ever solo show internationally.






WHEN: 2.35pm August 4-25 (not Tues)
WHERE: Cabaret Voltaire, 36 Blair Street (Venue #338) | HOW MUCH: FREE
TWITTER: @yveblake | FACEBOOK: yveblake | WEB: yveblake.com