Liam Turbett, Vice Magazine, 2015
I am sorry to have missed Nick Nick's unseasonal pantomime. Apparently, Davidson got pulled, either because of poor ticket sales or a drunken indiscretion. Whatever, as a champion of freedom of speech, with a passing interest in being offended by art, Sinderella 2 was on my to-do list.
Turbett's review, predictably, coruscates Davidson for the laziness of his humour - he recognises that the problem with 'funny' racism, sexism and crudeness is that it relies entirely on the audience finding the subject intrinsically funny. He conjures an image of Sinderella as the cave where the 1970s crawls off to die, with aged jokes and poor performance competing to bore the audience.
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| yeah, they really did this |
Since I missed the show, I don't really have the right to comment - but I am going to make a point about the resistance to Jimbo, Dapper and their ilk. Apart from their continued existence being partially the fault of liberals who laughed when 'irony' came into play as the big excuse for saying the unthinkable, banning these guys is not an effect strategy for eradicating brain-dead sexists.
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| Dapper's new persona |
Look at the word used to make Jim look stupid on the poster. To demonstrate how low Jim is, the writer has used a swear word that is... oh, come on. This is 101 stuff. Call him a prick, a knob, even a bell-end.

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