Showing posts with label Dominic Berry. Show all posts
Showing posts with label Dominic Berry. Show all posts

Tuesday, 26 July 2016

Dramaturgy Guarantees You Inner Calm: Dominic Berry @ Edfringe 2016


Aug 6-7, 9-14, 16-21, 23-27 8.05pm

Playing Mortal Kombat Guarantees You Inner Calm-Dramaturgy DatabaseMulti award-winning poet Dominic Berry (seen poeting on BBC and Channel 4) returns after touring Canada and USA with his unforgettable new show about love, loss, and his quest for a cheat to quick-start tranquillity. A hilarious, but deeply moving spoken word show about what happens when you turn to video games to solve the problems you have in the real world. Dominic examines failure, escapism, and love, through poetry, comedy and music.

What was the inspiration for this performance?
My inspiration for this show was being unhappy with my previous show!

Last year I did a full month run of Up Your Game: The Downfall of a Noob, a performance poetry show about video gaming that had some good bits well received by audiences and a whole load of stuff which didn't work. 

I was lucky enough to get an arts council england grants for the arts award to employ a director to reshape it into something better.

I was just really honest in my application - I said I had done a whole run at ed fringe (and tour, I had some venues book it after august) of a thing that had big flaws and I wanted to address these flaws.

How did you go about gathering the team for it?
I had worked with Kevin Dyer, the director, before on a children's poetry show I toured called When Trolls Try To Eat Your Goldfish.

I met Kevin through someone else who I met at a networking event. 

Many artists see networking as a dirty word, but all it means is having a nice chat with other people into the arts, and maybe finding people who like the same stuff as you do.

Kevin and I had really clocked making Trolls, he had worked me really hard, kept encouraging me to redraft and remake, so I knew he would do the same with this show too.

Was your process typical of the way that you make a performance?
Kevin and I got rid of about two thirds of the last show and just kept the stuff that was connecting with crowds. We looked at why we thought that stuff was working and how we could build on that to make something that was in its entirety of engaging interest to audiences.

Looking for the human themes that for me the video gaming angle represented was intense. As writers we can sometimes assume everyone has the same reference points as we do and sometimes we need to realise some stuff needs to be more explicit and other stuff more subtle but all with something really concrete that can drive the emotive force forwards.

We kept adding and taking away poems from the show and have ended up with twelve solid pieces I am really proud of.

We have already done one national tour, and also taken the poems across ten cities across south Canada, so I am in a very different position now to where I was at last year for 2015 edinburgh fringe. I feel really confident in this show and really excited to be sharing it this summer.

What do you hope that the audience will experience?
all the feels!

Wednesday, 15 July 2015

Noob's Dramaturgy: Dominic Berry @ Edfringe 2015

Internationally multi award winning poet Dominic Berry presents the world premiere of his new show, Up Your Game: The Downfall of a Noob

Multi award winning poet Dominic Berry (BBC3, Channel 4, CBeebies) returns to the Edinburgh fringe with Up Your Game: The Downfall of a Noob, a new show about love, loss, and being rubbish at video games.

Up Your Game: The Downfall of a Noob is a hilarious but deeply moving spoken word show about what happens when you turn to video games to solve the problems you have in the real world. 

Berry examines failure, escapism, and how extremely hot Blanka from Street Fighter 2 is through poetry, comedy and music.

The show is scored by Martin (part of PenUltimate, and who previously toured poetry gangster scrabble play A Night on the Tiles) and the dramaturg is Matt Panesh (whose own shows have won him Best Poet, San Francisco Fringe, Best In Venue, Indianapolis Fringe, Best in Venue, London Fringe, Producer’s
Pick, London Fringe).


Aug 8-9, 11-16, 18-23, 25-29
6:20pm
Cabaret Voltaire (Venue 338) ​

This show is part of the PBH Free Fringe


The Fringe

What inspired this production: did you begin with an idea or a script or an object?
I started out years and years ago writing poems for adults, most of which were super serious and the kind of poem if you had a beard you would need to stroke it whilst listening to it. then a couple of years ago i started writing more and more for kids. Hardly any kids have beards. I now have created and toured a few different solo family poetry theatre shows, but I want to re-engage with adult audiences. So, that's what this is. This is a poetry theatre show for adults. Loads of sex, swearing and intricate multisylabic rhyming schemes. That's what gets you laid these days.


Why bring your work to Edinburgh?
Wanting to hear more work with multisylabic rhyming structures. Seriously, going to Edinburgh is the best education. Last year i saw 71 shows in three and a half weeks; most of them spoken word shows. The spoken word theatre section gets bigger every year and the talent is phenomenal. It is humbling and inspiring. So deeply inspiring.

What can the audience expect to see and feel - or even think - of your production?
I think I take my trousers off at one point. i mean, i do in the current version, my dramaturg (Matt Panesh, a stunning poet in his own right) might stop me doing that. I have excellent legs. But hopefully better iambic pentameters. The show is a mix of silly and serious. I've not said yet its about video gaming, have I? It's about video gaming. it's quite daft. It's got amazing music made by Martin 'Visceral' Stannage, a comedy hip-hop fella based in Manchester. His soundtrack elevates the humour to something totally different - his sounds are so original and weird. The show's about the perils of gaming, online trolls, internet addiction - that kinda thing. And i take off my trousers. I think.



The Dramaturgy Questions

How would you explain the relevance - or otherwise - of dramaturgy within your work?
He tells me the bits that are rubbish. And them we get rid of those bits and put in better bits. he is like an editor and director combined, but involved from the earliest stages of inception. Makes the funny bits funnier and the deep bits deeper.

What particular traditions and influences would you acknowledge on your work -  have any particular artists, or genres inspired you and do you see yourself within their tradition?
Mr B The Gentleman Rhymer meets Epic Rap Battles of History

Do you have a particular process of making that you could describe - where it begins, how you develop it, and whether there is any collaboration in the process?
I show Matt, the dramaturg, bits I've created, and he cries in desperation whilst tearing out his hair and violently shaking his head. Then I go away and write something better. We go and watch stuff together. Other people's shows. I cannot emphaisize enough the significance of learning from others - I don't mean plagiarism - I mean immersing yourself in this exceptional world and seeing how that sparks your brain into making the communication of what you want to say more engaging and clear. Showing drafts to other people in the same field beyind the dramaturg can be a valuable insight into how what you're trying to say is actually coming across. Zach Roddis is an ace poet who is also ace at critiquing.

What do you feel the role of the audience is, in terms of making the meaning of your work? 
I would love it if they laughed at the funny bits. I would love it if they were dazzled by lust when I removed my trousers. I've gone on about taking off my trousers loads, i really hope Matt lets me keep that bit in. Joking aside, I try to connect on loads of levels, humorously, intellectually, artistically, emotionally - its a story of one guy's descent into the darker realms of gaming and what happens next - something loadsa folk can personally relate to or at least know of someone who has experienced the more menacing side of the power of modern gaming. It's about having a big heart. I hope my audience leave with their hearts feeling a little bigger. In a romantic metaphorical way, not a proper medical condition way which might actually kill them. I don't want that.



Dominic says, “This show is about me being an effeminate, gay, vegan, generally lefty guy trying to exist in the raging, testosterone world of aggression that is online gaming. I’m pretty sure I’m not the only one who’s horrified by high profile attacks like gamergate, but who still really loves Mortal Kombat. I want to explore that, and also make a load of jokes about minecraft and candy crush.”

Friday, 19 June 2015

Who'd Win in a Fight out of A Poet and a Multi-Media Company? At the Fringe

Ladies and Gentleman, I give you a square go spectacular: artists come and artists go, but no-one will forget tonight's prize fight. In the Red Corner, we have internationally multi award winning poet Dominic Berry. 

He's come a long way to give us the world premiere of his new show, Up Your Game: The Downfall of a Noob. Show what you've got, Mr Berry.


Up Your Game: The Downfall of a Noob is a hilarious but deeply moving spoken word show about what happens when you turn to video games to solve the problems you have in the real world. 

Berry examines failure, escapism, and how extremely hot Blanka from Street Fighter 2 is through poetry, comedy and music. The show is scored by Martin (part of PenUltimate, and who previously toured poetry gangster scrabble play A Night on the Tiles) and the dramaturg is Matt Panesh (whose own shows have won him Best Poet, San Francisco Fringe, Best In Venue, Indianapolis Fringe, Best in Venue, London Fringe, Producer’s Pick, London Fringe).

Bonus points for having a dramaturg. Plus he's got a gangster scrabble master in his corner. 

Dominic says, “This show is about me being an effeminate, gay, vegan, generally lefty guy trying to exist in the raging, testosterone world of aggression that is online gaming. I’m pretty sure I’m not the only one who’s horrified by high profile attacks like gamergate, but who still really loves Mortal Kombat. I want to explore that, and also make a load of jokes about Minecraft and Candy Crush.”

In the Blue Corner, transferring directly from the London West End’s Above the Arts, it's The Remnants!


...in a two-part feast of multimedia delight, featuring film, dance, poetry and storytelling, all underscored by original music from Nashville.

Hang on. I didn't make this very fair. There's loads of these Shrapnel Theatre people, plus they are doing two shows. 


The Remnants: As Thyself — Sin, sanctity and self are consumed in this post-dramatic tour of loss, life and love. A heart-wrenching confessional by the enigmatic A, B, C, 1, 2, 3 and 4. An internationally acclaimed success, As Thyself was written when van Tricht was only 18, and has been performed in England and the USA. It is part one of The Remnants.

The Remnants: Threadbare
— Poetry, film and storytelling relate the chronologically jumbled, dysfunctional love story of two hearts that have finished colliding, underscored by original music. Threadbare is the second half of The Remnants.



The shows are directed by Rosa Crompton, who has directed multiple shows in London and is part of the Woman @ RADA group, and are written by Isla van Tricht, the Artistic Director of Shrapnel, who will soon complete her Masters in Text and Performance at RADA. Film content comes from London-based company Faktem Films, and is produced by award-winning film producer Sofi Berenger (The Suitcase).

Well, Dominic Berry is doing a kids' show, too... but I tend not to write about those... 

I messed this contest up... I guess Berry wins the poetry bit... Shrapnel the other genres. Sorry.


About The Artists

Dominic Berry is an internationally award winning performance poet, actor and workshop facilitator. He works with children and adults.

His awards include winning New York’s infamous Nuyorican Poetry Cafe Slam, winning Manchester Literature Festival’s Superheroes of Slam and, as of January 2015, five Arts Council England Grants for the Arts awards to tour his theatrical verse across the UK.

Dominic has performed his poetry on BBC’s Greg and Celia’s Festivals Highlights (a showcase of the best of 2014′s Edinburgh Fringe), Channel 4′s My Daughter The Teenage Nudist and Channel 4 News. In his children’s poet ‘Dommy B’ persona he has performed on CBeebies’ Rhyme Rocket.

Dominic’s play about the modern mental health system Wizard (2012, funded by Oxford University, Arts on Prescription, Contact and GftA) toured the UK under the direction of PenUltimate’s Martin ‘Visceral’ Stannage. Dominic and Martin are working together on Up Your Game: The Downfall of a Noob

Shrapnel was launched in January 2015, and is committed to making reckless, eviscerating theatre. Its first production was the 25th Anniversary of Jim Cartwright’s Two, starring Emmerdale duo Jamie Shelton and Chelsea Halfpenny. Shortly afterwards, they began a series of monthly New Musical Nights at the Arts Theatre, celebrating brand new musical theatre and presenting it to an industry audience, with a panel discussion each time.

Rosa is a recent University of York graduate. Whilst at York she directed Threadbare (co-direct with Isla van Tricht), Oleanna, The Garden and Stars in the Morning Sky in the Drama Society’s studio The Drama Barn as well as a production of As You Like It in the university grounds as part of the summer Shakespeare festival. Also while at York, Rosa worked as assistant director to the artistic director Damian Cruden at the York Theatre Royal on a production of Blithe Spirit.

Since graduating Rosa has worked with Islington Community Theatre during a workshop at the National Theatre Studio – specifically with helping with the education of the young people in the show. Also, Rosa is involved with a group called Women @ RADA which is looking to promote gender equality in theatre. She recently directed new-writing piece Smokers at the Scene of a Crime with Micklegate Theatre Company at the Hen and Chickens.

Isla van Tricht is a playwright and theatre director currently undertaking the MA in Text and Performance at the Royal Academy of Dramatic Art. She is interested in creating and devising new and thought-provoking theatre, and is especially interested in post-dramatic, immersive and experimental theatre forms, writing about raw topics which explore human identity, relationships, despair and hope. She enjoys multimedia theatre, incorporating film, the internet and interactivity into performance in a variety of ways. Isla’s aim is to create plays that leave the audience buzzing with debate and discussion of the ideas explored in performance - she wants audiences to feel challenged and to search themselves, and believes the best way to do that is to put something raw and open on stage for the audience to open up to.

Faktem Films is a dynamic, creative and innovative independent film production company based in London. It is run by artistic directors Piers Foley and David S Fineberg and executive director Sofi Berenger. They create high quality digital content for companies, brands and individuals including commercials, trailers, promos, showreels, music videos and documentaries, as well as working on their own creative projects. Foley, Fineberg and Berenger have their own independent companies and projects also, working across a series of related industries including photography, film, the not-for-profit sector and theatre production.

Paul Virides is a freelance theatre producer, executive producer of Shrapnel Theatre and assistant producer for Hartshorn - Hook Productions. Recent credits for Shrapnel include Two and the monthly New Musicals Night (Above the Arts) and general management of Vampire Cabaret (Assembly, Edinburgh 2015), and freelance work includes The Mikvah Project (workshop, Chickenshad/The Yard), Songs For a New World (C venues, 2012) and As You Like It and Scarberia for TakeOver Festival 2012 (York Theatre Royal).