Theatre and Culture from Scotland, starring The List's Theatre Editor, his performance persona and occasional guest stars. Experimental writings, cod-academic critiques and all his opinions, stolen or original.
Showing posts with label Aberdeen. Show all posts
Showing posts with label Aberdeen. Show all posts
Tuesday, 2 June 2015
Outspoken funnyman, author and actor Brian Limond
Outspoken funnyman, author and actor Brian Limond, aka Limmy, takes his ‘Daft Wee Stories’ readings to the city venue on Monday, August 3, with tickets for the show going on sale today (Tuesday) online at www.aberdeenperformingarts.com, by phone at 01224 641122 and at Aberdeen Box Office at the Music Hall and His Majesty’s Theatre.
“We are thrilled to add Limmy to our amazing spoken word line-up at The Lemon Tree,” says Aberdeen Performing Arts New Media Marketing Officer Andrew Raffan. “We are confident his huge legion of fans will be delighted to get the chance to see him live in such an intimate setting.”
This is a rare opportunity to immerse yourself in Limmy’s dark, surreal and absurd world, as he tells you some stories, and whatever else he thinks of, and gives you an insight into his hilarious and bizarre mind. Expect the unexpected.
Labels:
Aberdeen
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Aberdeen Performing Arts
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churnalism
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Daft Wee Stories
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Lemon Tree
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Tuesday, 28 April 2015
Tuesday, 8 April 2014
£400,000 to boost youth arts provision in Aberdeen and the North East
It is part of Scotland’s National Youth Arts Strategy Time To Shine and will be used to create a network of nine regional Youth Arts Hubs across the country.
I wasn't that impressed with the Time To Shine comic book (made by Metaphrog, it was a bit simplistic and assumed that the comic book is an 'easier' medium to express ideas. Until Creative Scotland start supporting the Scottish comic book industry with cash, it seems a bit cheeky to expect it to help present its agenda).
But these YAHs are a good idea. And Aberdeen Performing Arts has got a good record of working with young people to create good art. They use the phrase 'shaped and driven by the participants,' which is what I want to hear. Youth Art is not something to be left to adults.Anyway, I think the press release can do my work now. I have the third act of Uncle Vanya (In Dub) to edit.
Ben Torrie, Director of Programming and Creative Projects, Aberdeen Performing Arts, said: "Aberdeen Performing Arts and its partners are thrilled and honoured to be selected to deliver a Youth Arts Hub for Aberdeen and the North East. There are nearly 150,000 young people living in Aberdeen and Aberdeenshire, and we are eager to enrich and improve the lives of as many as we can, particularly marginalised young people, looked after children and those from diverse cultural backgrounds. We also believe that this gives us a unique opportunity to engage with young people in order to build a more creative and vibrant cultural landscape for the region."
Leonie Bell, Director of Arts & Engagement, Creative Scotland, said: “Through making connections and developing new projects these Hubs will enable more children and young people to take part in creative activities close to where they live.
“These Hubs will not only create opportunities for young people to shine and express themselves creatively; but also by placing them at the heart of the creation and delivery of the new work, the young people will develop skills and expertise which will be invaluable to their futures.”
Labels:
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Tuesday, 13 August 2013
Giants in the Forest (Chapter 5.1): To The North!
Please, someone, rescue me. The Fringe is rising like a river approaching flood: I can hear the crunch of ruined relationships and broken, temporary trysts beneath my feet when I enter the bar. Red Bastard told me what my problem is, Boris and Sergey made me laugh even in the jaws of hell and yet, and yet...
I'd like to say that it was dark when I set out, my bike not quite fully fixed and the chain still clunking whenever I change out of bottom gear. This is dawn for me, although the sun is up and woke me before my alarm. It's six-thirty and the hottest July I can remember. After the gentle trip around the Borders, and the ironic problems I had getting back from Edinburgh, I am hitting the part of my Giant Quest that excites, and worries, me most.
The Aberdeen train is so early, but will get me into the north before the working day begins. Being the go-getting, dynamic blogger, I fall asleep as soon as it leaves Queen Street station. Given the length of the journey, it's a mouldy old train, the stock more ancient than that which plies the line between the twin capitals. No internet connection, and I feel justified in sleeping off the three hours.
When I wake up, it is as if the line has narrowed and the forest is surrounding us.
The next time, I looking over an abyss that is green and glistens with sunlight.
There are real hills here, the ones that climbers get aroused by and tramp up and down and tick off of their extended lists.
The reflection of the hills and trees in the water is the sort of thing that would make a good photograph, if only my reflection on on the window was not so jarring.
I wake up to a text from a beautiful woman. It is half past eight. We are entering the city, the Granite city.
I take it slowly, wheeling my bike into the town and onto the High Street. Locking up, I oil the chain again, wipe it clean with a yellow cloth which then stains my yellow water-proof. I am self-conscious, that I look like a tourist. I try to destroy this impression by going into Oxfam and buying a book about Matthew Bourne. I figure that the sort of person who buys a thick paperback is not going to be seen as a day-tripper.
The huge pannier I have to lug into the shop does not help.
The tourist information point is helpful: they give me a map of the road out to Drum Castle. I realise that the trip will be all on the main artery across the top of the country. I never break free of the settlements, the commuter villages of Aberdeen. Aside from my disappointment at not getting big swathes of open countryside to sigh and swoon over, I'm intrigued by the way that Aberdeen has a different model of urban sprawl to Glasgow. While the West Coast Wonder incorporated all the settlements within its mass, Aberdeen is more like a series of outposts, with short passages of countryside between them. No need for the parks that are the lungs of The Dear Green Place...

It's brief, but sudden: a tremendous sense of love for this country. Not in any nationalistic sense, or even patriotic. I enjoy the grandeur of Aberdeen's city centre: on a sunny day like this, the granite winks and glimmers. As I make my way towards Drum Castle, my bike chain settles and I feel more at home when I am on the road.
Discuss.
I'd like to say that it was dark when I set out, my bike not quite fully fixed and the chain still clunking whenever I change out of bottom gear. This is dawn for me, although the sun is up and woke me before my alarm. It's six-thirty and the hottest July I can remember. After the gentle trip around the Borders, and the ironic problems I had getting back from Edinburgh, I am hitting the part of my Giant Quest that excites, and worries, me most.
The Aberdeen train is so early, but will get me into the north before the working day begins. Being the go-getting, dynamic blogger, I fall asleep as soon as it leaves Queen Street station. Given the length of the journey, it's a mouldy old train, the stock more ancient than that which plies the line between the twin capitals. No internet connection, and I feel justified in sleeping off the three hours.
When I wake up, it is as if the line has narrowed and the forest is surrounding us.
The next time, I looking over an abyss that is green and glistens with sunlight.
There are real hills here, the ones that climbers get aroused by and tramp up and down and tick off of their extended lists.
The reflection of the hills and trees in the water is the sort of thing that would make a good photograph, if only my reflection on on the window was not so jarring.
I wake up to a text from a beautiful woman. It is half past eight. We are entering the city, the Granite city.
I take it slowly, wheeling my bike into the town and onto the High Street. Locking up, I oil the chain again, wipe it clean with a yellow cloth which then stains my yellow water-proof. I am self-conscious, that I look like a tourist. I try to destroy this impression by going into Oxfam and buying a book about Matthew Bourne. I figure that the sort of person who buys a thick paperback is not going to be seen as a day-tripper.
The huge pannier I have to lug into the shop does not help.
The tourist information point is helpful: they give me a map of the road out to Drum Castle. I realise that the trip will be all on the main artery across the top of the country. I never break free of the settlements, the commuter villages of Aberdeen. Aside from my disappointment at not getting big swathes of open countryside to sigh and swoon over, I'm intrigued by the way that Aberdeen has a different model of urban sprawl to Glasgow. While the West Coast Wonder incorporated all the settlements within its mass, Aberdeen is more like a series of outposts, with short passages of countryside between them. No need for the parks that are the lungs of The Dear Green Place...

It's brief, but sudden: a tremendous sense of love for this country. Not in any nationalistic sense, or even patriotic. I enjoy the grandeur of Aberdeen's city centre: on a sunny day like this, the granite winks and glimmers. As I make my way towards Drum Castle, my bike chain settles and I feel more at home when I am on the road.
Discuss.
Thursday, 14 February 2013
Top Five From the Inbox: Aberdeen and Mostyn.
Dance Live in Aberdeen has been sending me their monthly mailing, and that city is full of dance. Rather like Stirling in March... partially because it gives me an excuse to use the lovely image for Janis Claxton's Chaos and Contingency, here's a shout out to Aberdeen's programme.
Chaos & Contingency arrives at the Aberdeen Art Gallery on 16 March - it's free, it's designed to be seen from all sides and it uses mathematics to explore the evolution from simple to complex. There's a soundtrack from Philip Pinsky and has an international cast, including a trio of China's top dance stars.
Elementz Goes Live (Saturday 23rd March) is in the more traditional space of the Lemon Tree Studio, but has two new pieces one by Alison Macbeth (artistic director of Elementz ) and one by guest choreographer Lisa Bibby-Grant (Scottish School of Contemporary Dance) and guests from around Scotland.
The Moment has to Arrive stars students from Grays School of Art (Sunday 24th March, From 3pm) and is a day of live art and performance by artists and students from Gray’s School of Art at Citymoves Studio, Belmont Street. Curated by Conor Baird in collaboration with Citymoves Dance Agency.
Just As We Are (bgroup) promises themes of an adult nature. The press release says: a" brand new show by choreographer Ben Wright. A tryptych moving from the singular experience to the power of a group – Just As We Are begins at walking pace and culminates in an invitation for audiences to consider joining the spectacular finale.
Collaborating with his exceptional team of performers, lighting designer Guy Hoare, visual artist and photographer Mark Vessey and costume designer Theo Clinkard, Just As We Are is a tribute to an act of uncertainty…. how will you share the moment?
Ben Wright's extensive choreographic work ranges from The Metropolitan Opera New York to the Showroom in Chichester - his passion for creating extraordinary experiences and curious yet accessible work is the driving force behind bgroup’s growing popularity and success."
Thursday 28th March, 7pm
The Lemon Tree
And the bonus art...
FROM NOW UNTIL 14TH APRIL 2013
It's unlikely that I'll make it, but I rather like the idea of having a quick holiday to the historic Victorian seaside town of Llandudno and taking in an exhibition of contemporary art, which allows me to vote for my favourite.
The Mostyn Open has 26 artists exhibiting, including Stuart Middleton from Cheshire. And unlike most exhibitions, this one has a special prize for the most popular piece.
MOSTYN is Wales’ leading public contemporary art gallery and is part of the Plus TATE network of galleries.
MOSTYN Open 18 Exhibition
MOSTYN, 12 Vaughan Street, Llandudno, Conwy, LL30 1AB
Tuesday – Sunday: 10.30am – 5.00pm
Free
Free
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